The Clown’s Unmaking, 2025. Steel, cotton, photographic
sublimation transfers, HD video, 170×100 cm. Invited by Chateau de Servières at Palais
Longchamp, Marseille
The Clown’s Unmaking, 2025. Steel, cotton, photographic
sublimation transfers, HD video, 170×100 cm.
The Clown’s Unmaking, 2025. Photographic
sublimation transfers, velvet ribbons, steel, 170×40 cm.
The Clown’s Unmaking, 2025. Photographic sublimation
transfers, velvet ribbons, steel, 170×40 cm. Invited by Chateau de Servières at Palais
Longchamp, Marseille
'Noces', 2025. Photographic transfer on wax, velvet ribbon,
wood, 40×30 cm. Invited by Chateau de Servières at Palais Longchamp, Marseille
The Clown’s Unmaking, 2025. Steel, cotton, photographic
sublimation transfers, HD video, 170×100 cm.
'Que Salga el Fantasma', 2025. Textiles, photography,
velvet ribbon, metals, 30×18 cm. 'Nos mères, nos mers' at L'Embarcadère, curated by Adèle
Lecrosnier Racine et Violette de Gruben
'Que Salga el Fantasma', 2025. Textiles,
photography, velvet ribbon, metals, 30×18 cm
Left to right : 'All Traces tell Tales' and 'What Remains', 2024, Blue Cotton Fabric, Embroidery, Cyanotype on Beige Cotton 170 x 130 cm, 'Clues', 2024, Metal Frame,
Cotton Fabrics, Ruff, Bells, Thread 75 x 100 cm and 'Tutu', 2024, Cyanotype on Red Cotton 70 x 50 cm (Alina Röbke). KWR40, Mainz, Germany
Left to right : 'Clues', 2024, Metal Frame, Cotton Fabrics, Ruff, Bells, Thread 75 x 100 cm and 'Tutu', 2024, Cyanotype on Red Cotton 70 x 50 cm (Alina Röbke)
and 'Le Vestiaire', 2024, Cyanotype on Beige Cotton, 170 x 130 cm. KWR40, Mainz, Germany
'Auriol', 2024. Accumulation of collected Costume Pieces Various Sizes. KWR40, Mainz, Germany
'Patches', 2024. Nine Canotypes on Blue Cotton Fabric stitched on Red Cotton, 170 x 130 cm. KWR40, Mainz, Germany
‘All Traces Tell Tales’, 2024. Works created in collaboration with artist Alina Röbke. Institut Français of Mainz, Germany, by invitation of the collective PART. Curated by Antonio Quint Vila
'Clues n°2', 2024, Metal Frame, Cotton Fabrics, Ruff, Bells, Thread 130 x 220 cm. Institut Français of Mainz, Germany, by invitation of the collective PART. Curated by Antonio Quint Vila
‘All Traces Tell Tales’, 2024. Works created in collaboration with artist Alina Röbke. Institut Français of Mainz, Germany, by invitation of the collective PART. Curated by Antonio Quint Vila
'Les Étoiles', 2024. Photography, White Cotton,
antique Jewelry and Silver Embrodery, 24 x 32 cm
'Carmela', 67th Salon de Montrouge, 2023. Curated by : Work Method (Coline Davenne et Guillaume Désanges)
'The Sailor and the Mermaid', 2023. Hand
embroidery, steel, 330x80cm. 67th Salon de Montrouge, 2023
'Carmela', 67th Salon de Montrouge, 2023. Curated by : Work Method (Coline Davenne et Guillaume Désanges)
'Carmela', 67th Salon de Montrouge, 2023. Curated by : Work Method (Coline Davenne et Guillaume Désanges)
'Ce qui se loge dans les Losanges', duo show with Romain
Kloeckner. Le Couvent, Marseille, as part of PAC Off.
Curated by Romain Pottier
'Les gants', 2024. Photograph, textile, 20x25cm
'Ce qui se loge dans les Losanges', duo show with Romain
Kloeckner. Le Couvent, Marseille, as part of PAC Off.
Curated by Romain Pottier
'Le fantôme de Carmela', 2024. Satin, impression par sublimation, broderie, 150x200cm
“Ce qui se loge dans les losanges”, Le Couvent, Marseille, 2024. Le vestiaire d’Arlequin, 2024. Steel, textiles, leather, ribbons, wool, chains, bell, 180×70 cm; and Chaussons pour la nuit, 2024, on a ceramic candlestick by Romain Kloeckner. Cotton, satin, embroidery thread, velvet, 25×10 cm. Curated by Romain Pottier.
'Carmela', solo show at the Ateliers de la Ville de Marseille, 2024. Curated by : Isabella Seniuta.
'Oro y manitas', 2023. Vidéo HD, 6'. 'Carmela', solo show at the Ateliers de la Ville de Marseille, 2024. Curated by : Isabella Seniuta.
‘Bona Nit and ¡Baila Maria!’, 2022. 13 prints made by sublimation, 90 × 60 cm and Video HD, 21'47
As part as ‘100% L’EXPO’, Grande Halle de La Villette. Curated by : Ines Geoffroy
‘Bona Nit and ¡Baila Maria!’, 2022. 13 prints made by sublimation, 90 × 60 cm. ‘100% L’EXPO’, Grande Halle de La Villette. Curated by : Ines Geoffroy
‘Bona Nit and ¡Baila Maria!’, 2022. 13 prints made by sublimation, 90 × 60 cm. ‘100% L’EXPO’, Grande Halle de La Villette. Curated by : Ines Geoffroy
‘Bona Nit and ¡Baila Maria!’, 2022. ‘100% L’EXPO’, Grande Halle de La Villette. Curated by : Ines Geoffroy
‘Bona Nit’, 2022. 13 prints made by sublimation, 90 × 60 cm. ‘La Relève IV: Veiller’, Centre Photographique de Marseille,
as part of the Plateforme Parallèle festival, curated by : Nicolas Feodoroff
‘The Birth of Maria’, 2020. Sublimation-printed photograph on satin, 200 x 150 cm
‘Bona Nit’, 2022. 13 prints made by sublimation, 90 × 60 cm and 2 pieces, dimensions and techniques variable.
‘La Relève IV: Veiller’, Centre Photographique de Marseille, as part of the Plateforme Parallèle festival, curated by : Nicolas Feodoroff
‘Bona Nit’, 2022. ‘La Relève IV: Veiller’, Centre Photographique de Marseille, as part of the Plateforme Parallèle festival
'Bona Nit', 2022. 13 prints made by sublimation, 90 × 60 cm
'Le bureau d'investigation du Sacré', Grandes Serres de Pantin. Curated by : Jeanne Mercier
‘The Birth of Maria’, 2020. Sublimation-printed photograph on satin, 150x200cm. ‘Bona Nit and ¡Baila Maria!’, 2020.
Diploma at ENSAD Paris. Photo : Mathieu Faluomi
‘Bona Nit and ¡Baila Maria!’, 2020. 6 prints made by sublimation, 120 x 90 cm
Diploma at ENSAD Paris. Photo : Mathieu Faluomi
‘Todavia queda pequenas brujas’, 2020. Sublimation-printed photograph on satin, 150x200cm. Diploma at ENSAD Paris. Photo : Mathieu Faluomi
'Les morts travaillent pour faire toutes les étoiles', 2020. Photograph printed by sublimation with embroidery, 50×30 cm. 'Sacré', ENSAD Paris. Curated by : Stephane Degoutin et Natacha Lesueur
